Question 1

What is BAGGED?

Accepted Answer

A blackbook for the streets. You find graffiti, photograph it, and it gets archived by artist. Legal walls go on a hunt map that people walk the city to collect.

Question 2

Who's it for?

Accepted Answer

Everyone. You don't have to be a writer to hunt. Artists get more: claim your tag and control how your work shows up.

Question 3

What's a hotspot?

Accepted Answer

A spot on the map where graffiti lives. The roster tells you which writers are there. You can't see the artwork from your couch — you go there and bag it yourself.

Question 4

What does claiming my tag get me?

Accepted Answer

Your Instagram and website attach to every wall of yours on the map. People find your work, they find you. Claims are verified by a human before anything unlocks.

Question 5

What does it cost?

Accepted Answer

Free.

Question 6

What's the difference between sanctioned and street?

Accepted Answer

When you bag a piece, you pick one. SANCTIONED means legal — permission walls, commissioned murals, festival work. It's meant to be seen, so it goes on the public hunt map with its location. STREET is everything else. Street stays in your private blackbook and never shows publicly unless the writer claims their tag and turns it on themselves.

Question 7

What are the rules for sanctioned work?

Accepted Answer

Sanctioned pieces are always public — exact location, on the map, for everyone to hunt. The artist doesn't need to opt in because legal work is made to be seen. When the artist claims their tag, their links attach to it.

Question 8

What are the rules for street work?

Accepted Answer

Locked by default. No name, no location, no artwork on anything public. The writer shows up as an anonymous "Bomber" on the map — that's it. Only the writer can change that: claim the tag, get verified, and choose to go public. Even then, street locations only ever show at block level, never the exact wall.

Question 9

What happens when I scan a piece?

Accepted Answer

Two things. It goes in YOUR blackbook — full photo, exact spot, date and time, yours forever. And the location becomes a hotspot on the hunt map for everyone else to discover. They see that something's there — a roster of writers, how hot the spot is — but not the artwork. They have to go there and bag it themselves to add it to their own map.

Question 10

So my scan builds the game for everyone?

Accepted Answer

Exactly. Every piece you bag drops a hotspot other hunters can chase. First to bag a writer at a spot puts that writer on the roster. The map is built by the people walking it.

Question 11

What if I'm not sure whether a wall is sanctioned?

Accepted Answer

Pick STREET. That's the safe default — it protects the writer either way. Sanctioned is for walls you know are legal.

Question 12

I'm creating a hunt — what can I hide?

Accepted Answer

Keep it clean. Nothing buried, nothing on private property without permission, nothing that could look suspicious or dangerous. Public, reachable, legal spots only. You're responsible for what you hide. Hunts that break this get pulled.

Question 13

Is this a snitch app?

Accepted Answer

No — and it's built so it can't be. Street work never appears publicly. No names, no locations, no artwork — unless the writer personally claims their tag and turns it on. Unclaimed street writers show as anonymous "Bombers," period.

Question 14

Can someone expose my illegal spots?

Accepted Answer

No. Even when a writer opts in, street locations only ever show at block level — never the exact wall. And nobody can flip that switch except the writer.

Question 15

Can someone pretend to be me and put their links on my work?

Accepted Answer

No. Every claim is reviewed and verified before any powers unlock. Fake claims get nothing.

Question 16

Do you show who found a piece?

Accepted Answer

Never. Hunters' identities are never exposed on anything public.

Question 17

Can a writer delete photos from my archive?

Accepted Answer

No. Your private archive is your documentation — writers control what goes public, not what you keep.

Question 18

Is this for cops, brands, or data harvesting?

Accepted Answer

No. Preservation, not surveillance. The point is a permanent archive of the culture — pieces outliving the buff.

WHAT IT IS.
HOW IT WORKS.
WHAT IT ISN'T.

WHAT IT IS

HOW IT WORKS

WHAT IT ISN'T

WHAT IT IS.HOW IT WORKS.WHAT IT ISN'T.

WHAT IT IS

HOW IT WORKS

WHAT IT ISN'T

WHAT IT IS.
HOW IT WORKS.
WHAT IT ISN'T.